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Still from 'Agege' video.

Tekno Is a 'Threat to Security,' After Releasing Pole Dancing Video, Nigerian Authorities Say

Nigeria's Coucil of Arts and Culture says it wants to "scapegoat" the artist in order to "teach others a serious lesson."

Nigerian artist Tekno, has been accused of "threatening security" after the release of his latest music video "Agege," BBC Africa reports.

The singer was brought in for questioning last Wednesday, after Lagos police claimed he breached public decency laws after a video of him in a truck with semi-nude women went viral after someone spotted the scene in Lagos traffic. He was taken in for questioning over allegations that he was doing promotion for a strip club.

The artist apologized for the incident, releasing a statement explaining that the setup was for an upcoming music video he was shooting, and that he and his friends were simply "having fun" as they moved between locations for the shoot.


Still from 'Agege' music video.

The singer released the video for "Agege" last Friday, following his arrest. The video shows scenes of the artist in a truck surrounded by four women dancing on a pole, as the artist claimed.

This was not enough for Nigerian authorities, however. On Sunday, Nigeria's Council of Arts and Culture, expressed "disappointment" in Tekno's decision to release the music video in the midst of the allegations against him, and vowed to make him a "scapegoat" in order "to teach others a serious lesson."

"We warn that nudity is not part of our culture and should not be tolerated," said the head of the council Segun Runsewe in a statement, according to BBC Africa. He added: "henceforth fish out clubs for nude dancers across the country for their promoters to face prosecution."

Tekno is currently under investigation. The artist has continued to promote the video despite the incident, and is yet to comment on the recent allegations being brought against him.

Several Nigerians online are calling out the government (using mostly sarcasm) for blaming a music video for what is a much larger systemic issue of rampant insecurity in the country.


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(Screenshot from "Every Woman" video)

Check out Cameroonian Crooner Vagabon’s New Ode to Female Power

The singer dropped a video for new single "Every Woman" today, shot by fellow Cameroonian director Lino Asana.

Cameroonian-born singer-songwriter Laetitia Tamko, better known as her stage name Vagabon, has been spoiling us with delights as of late. First, the crooner teased us with two singles, "Flood" and "Water Me Down" from her forthcoming sophomore album, Vagabon, a work she wrote and produced herself. And today, she surprised us with a new single and video for "Every Woman"—a track Tamko claims is the "thesis of the album," as per a press statement reported by The Fader magazine

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Asa's 'Lucid" album cover

Asa Releases Her Highly-Anticipated New Album, 'Lucid'

Listen to the celebrated Nigerian singer's first album in five years.

After a five year hiatus Asa, one of Nigeria's most celebrated artists, has released her fourth studio album Lucid.

The 14-track album, includes the previously released singles "Good Thing" and "The Beginning" which the singer dropped earlier this year to positive reviews.

The singer and songwriter took to social media to thank fans for their ongoing support over the weekend, writing "I have looked forward to sharing this with you for sometime now but I wanted it to be special, that much I owe you. For being with me from the beginning, thank you from my soul. I hope this makes you happy, brings you joy and somehow, you can find yourself in these songs."

She also shared a live studio performance of the album's first track "Murder in the USA,' check It out below.

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Cellou Binani/Getty Images

Several People Have Been Killed During Protests in Guinea

Guineans are protesting against changes to the constitution which will allow President Alpha Conde to run for a third term.

At least five people have died during protests in Guinea's Conakry and Mamou after police opened fire on them, according to Aljazeera. The protests come just after President Alpha Conde instructed his government to look into drafting a new constitution that will allow him to remain in power past the permissible two terms. Conde's second five-year term will come to an end next year but as is the unfortunate case with many African leaders, the 81-year-old is intent on running for office yet again.

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Photo by Hamish Brown

In Conversation: Lemn Sissay On His New Book About Re-claiming the Ethiopian Heritage Stolen From Him by England’s Foster Care System

In 'My Name Is Why,' the 2019 PEN Pinter award winner passionately advocates for children in the institutional care system, and in turn tells a unique story of identity and the power in discovering one's heritage.

It took the author Lemn Sissay almost two decades to learn his real name. As an Ethiopian child growing up in England's care system, his cultural identity was systematically stripped from him at an early age. "For the first 18 years of my life I thought that my name was Norman," Sissay tells OkayAfrica. "I didn't meet a person of color until I was 10 years of age. I didn't know a person of color until I was 16. I didn't know I was Ethiopian until I was 16 years of age. They stole the memory of me from me. That is a land grab, you know? That is post-colonial, hallucinatory madness."

Sissay was not alone in this experience. As he notes in his powerful new memoir My Name Is Why, during the 1960s, tens of thousands of children in the UK were taken from their parents under dubious circumstances and put up for adoption. Sometimes, these placements were a matter of need, but other times, as was the case with Sissay, it was a result of the system preying on vulnerable parents. His case records, which he obtained in 2015 after a hardfought 30 year campaign, show that his mother was a victim of child "harvesting," in which young, single women were often forced into giving their children up for adoption before being sent back to their native countries. She tried to regain custody of young Sissay, but was unsuccessful.

Whether they end up in the foster system out of need or by mistake, Sissay says that most institutionalized children face the same fate of abuse under an inadequate and mismanaged system that fails to recognize their full humanity. For black children who are sent to white homes, it often means detachment from a culturally-sensitive environment. "There are too many brilliant people that I know who have been adopted by white parents for me to say that it just doesn't work," says Sissay. "But the problem is the amount of children that it doesn't work for."

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