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This Clip of the Dream Catchers  Dancing to 'Brown Skin Girl' Is the Cutest Thing You'll See Today

The viral video of the Nigerian dance crew performing to Beyoncé, Wizkid and Blue Ivy's "Brown Skin Girl" is what the song is all about.

We love us some Dream Catchers.Dream Catchers.

The young Nigerian dance crew have blessed us with many memorable dance numbers, but their latest might be our favorite yet. The crew shared a clip of them dancing to Beyoncé, Wizkid and Blue Ivy's "Brown Skin Girl," a standout from Beyoncé's The Lion King: The Gift album, which celebrates the beauty of dark-skinned black women.

In the clip, the young dancers appear elated as they dance and sing along to the song's empowering lyrics. "Brown skin girl, your skin just like pearls. The best thing in the world, never trade you for anybody else." The clip has since gone viral, with over 40,000 likes and counting.


"To me, it doesn't get much better than this. Brava, Beyonce," wrote Ava DuVernay. "You've done a beautiful thing here. I see pride. I see joy. #BrownSkinGirlChallenge." Many online have shared similar heartfelt reactions to the clip.

The song has spurred the #BrownSkinGirlChallenge. Lupita Nyong'o who Beyoncé name drops in the song shared a video of her reaction to hearing the line.

If you needed a Monday morning pick-me-up, here it is. Check out the full Dream Catchers' "Brown Skin Girl" dance routine below, and keep up with the group via their Instagram page.

Beyonce - Brown Skin Girl (Dance Video) by The Happy African Kids (Dream Catchers) ft. Wizkid www.youtube.com

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(Photo by Gareth Cattermole/Getty Images)

The 10 Best HHP Songs Ranked

On the second anniversary of HHP's passing, we rank 10 of the South African hip-hop legend's best songs.

Jabulani Tsambo, popularly known by his alias HHP, was a pivotal part of South African hip-hop. Renowned for trailblazing the motswako sub-genre in the early 2000s, the rapper sadly passed away on October 24th, 2018 after a long and much publicised bout with depression.

During his active years, which span two decades (from 1997 to 2018), he was instrumental in breaking barriers and bridging the gap between kwaito and hip-hop in SA, from the late 90s to early 2000s.

He became a household name in the 2000s as he spearheaded the motswako movement, propelling it to the mainstream and solidifying his legendary status in the process.

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