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amA picture taken on May 17, 2019 in Berlin shows a Stone Cross, a key 15th-century navigation landmark erected by Portuguese explorers, seen at the History Museum in Berlin. (Photo: TOBIAS SCHWARZ/AFP/Getty Images)

Germany to Return Stolen 15th Century Stone Cross to Namibia

Germany's Culture Minister says the move is a "clear sign" that the country is committed to coming to terms with its colonial past.

In the latest development in the movement towards African art repatriation, the German government will return a 15th-century Portuguese stone cross that has been in its possession since the colonial era, back to its original home in Namibia.

The cross was a navigation landmark placed on the coastline of present-day Namibia in 1496, before it was taken in the late 17th century under German colonial rule, BBC Africa reports.

The Namibian government put out a request for its return back in 2017, and the request was formally approved today by the Berlin Museum. The cross is set to be returned in August, according to a statement from the museum.

READ: Taking Back Our History: Understanding African Art Repatriation


Andreas Guibeb, Namibia's ambassador to Germany called the move "important as a step for us to reconcile with our colonial past and the trail of humiliation and systematic injustice that it left behind," during a ceremony at the Berlin Museum earlier today.

Germany's Culture Minister Monika Grütters said the move was a "clear signal" that the country is "committed to coming to terms with our colonial past."

Germany has pledged to return stolen cultural property to its former colonies in an attempt to come to terms with its dark colonial legacy. The country returned the skulls of 30 Namibian genocide victims earlier this year. It took the country over 100 years to acknowledge and apologize for the mass killings of the Herero and Nama people, but as writer Perivi John Katjavivi wrote for OkayAfrica back in 2016, an apology is not enough.

Several African governments and individuals have called for reparations and full repatriation of stolen items back to the African continent. In conjunction with the opening of the Museum of Black Civilizations last year, the Senegalese government urged France's President Emmanuel Macron to return all of its looted art. The French leader had previously agreed to returning 26 looted artifacts to Benin and, expressed plans to push for permanent restitution of African art.

In January, an Egyptian cartouche of King Amenhotep I, was returned after being put up for auction in London.

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Photos by David Pattinson.

First Look: This New Collection from Art Comes First Is Peak Black Yeehaw Aesthetic

The design and brand consultant duo previews the SS20 collection displayed during their residency at The Mandrake Hotel in Paris.

Following their wavy Surf Afrika collection, Art Comes First (ACF) shares with us a preview of their SS20 collection that is all things Black Yeehaw Aesthetic.

Dubbed El Charro Negro, the collection features neutral colors and an array of textures—from leather, embroidery, fringed denim and ponchos, to vests, suede jackets and straight flyness.

Sam Lambert and Shaka Maidoh of ACF are known as the "Travelling Tailors" where their ventures around the world influence their designs. This time the nomads, who hail from the West Indies, Ghana and Angola respectively, have landed in Paris.

Earlier this month, ACF curated a week-long event-filled residency at The Mandrake Hotel in Paris that encapsulates their ethos of taking cultural influence from around the world and only staying still long enough to create. There, Lambert and Maidoh presented an installation, live musical performances and DJ sets, a film screening and a pop-up shop leading up to Fashion Week. The residency also showcased the duo's latest collaboration with London mainstay Fred Perry.

El Charro Negro will still be showcased in Paris at another location from June 18 to 23. Keep up with ACF on Instagram to stay tuned for details.

Check out our favorite images from the collection below.

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Nonso Amadi & Kwesi Arthur's 'Comfortable' Will Get You In Weekend Mode

Watch the trippy new music video for this link-up from the buzzing Nigerian and Ghanaian artists.

Nonso Amadi is one of the standout acts from a young wave of Nigerian musicians blending afro-fusion with RnB and much more. He's now dropping the brand new single "Comfortable," an addictive self-produced track that sees him linking up with bubbling Ghanaian act Kwesi Arthur, which we're premiering below today.

"Comfortable" is built on woozy synth keys and sparse beat work, all spearheaded by Nonso Amadi's vocals about wanting freedom in a relationship.

"The song is inspired by experiences with having a girl over and not wanting them to get too comfortable by staying too long with you," says Nonso Amadi. "I thought it'll be interesting to create a song around this 'cos it's not a perspective were used to hearing from guys very often."

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Screenshot via YouTube.

Maleek Berry Makes a Statement with His First Track of the Year, 'Flashy'

And the music video follows suit.

After months of anticipation, Maleek Berry finally dropped his first track of the year, "Flashy."

The Nigerian crooner-producer surely makes a statement on the track while flexing his rapping skills, as he chronicles how he leveled up to be flashy—and it's well-deserved. The video shows us a scene of a fly photo shoot that's underway, where Maleek is dripping in gold and fancy cars surrounded by stunning black women and his homies—Eugy, Tinie Tempah, Juls and more.

Watch the video, directed by Capone and Guise of Vissionaire Pictures, below.

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