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Nnedi Okorafor attends the 70th Emmy Awards at Microsoft Theater on September 17, 2018 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images)

Nnedi Okorafor's 'Binti' Is Being Developed Into a TV Series at Hulu

The award-winning novella is coming to a screen near you.

Binti, the acclaimed book by award-winning Nigerian-American author Nnedi Okorafor, is being adapted into a TV series, set to premiere on Hulu. The Hollywood Reporter was the first to break the news.

The three-part, science fiction novella will be adapted for screen under the studio Media Res. The script is being written by both Okorafor and writer Stacy Osei-Kuffour, who has previously written for Watchmen and The Morning Show amongst others.


Here is a full description of Binti via The Hollywood Reporter:

Binti is set in a technologically and socially advanced future. It tells the story of a brilliant and rebellious young woman who is destined to lead her community in Africa. But when she's admitted to the most prestigious academy in the galaxy, she chooses a different path and, rejecting her family's wishes, leaves her community behind in favor of the starry skies.

The book is the recipient of both a Hugo and Nebula award for Best Novella, which are awarded to standout books in the genre of science fiction.

The renowned author took to social media to share her excitement about being able to share the news about the upcoming series, writing "Finally, I can be public about it!" Several fans of the author have also expressed excitement about he news.

Back in 2017, it was announced that a series adaptation of her novel Who Fears Death was in development at HBO, and that it would be executive produced by Game of Thrones author George RR Martin. In June of last year, she released her highly-anticipates memoir Broken Places, Outer Spaces.

No details yet on when the series will go into production, but we'll keep you updated as we learn more.

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Photo courtesy of Upile Chisala.

Join Upile Chisala For Soothing Readings of Her Latest Works

Malawian poet Upile Chisala is set to deliver readings from her three poetry collections on Instagram Live.

Malawian poet Upile Chisala is set to deliver readings of her latest works of poetry on Instagram Live this week.

On the 8th of April, she'll be hosting a session where she'll read from her first two works Soft Magic and Nectar while the session on the 9th of April will include a reading from her latest work titled A Fire Like You. Both sessions will take place at 8 PM (SAST).

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Here are 10 Recent Books from Black South African Women Writers That You Need to Read

These 10 books have both shifted and unearthed new narratives within South Africa's literary world.

A few years ago, we celebrated the eight most influential Black South African women writers during Women's Month. The list featured the likes of Miriam Tlali, the first Black woman to publish a novel during Apartheid, Sweet Medicine author Panashe Chigumadzi and beloved poet Lebogang Mashile. We now bring you our selection of ten literary gems by various Black South African women writers which have shifted and even unearthed new narratives in the South African body of literature.


This list is in no particular order.

​"Collective Amnesia" by Koleka Putuma, published 2017

It is unprecedented for a poetry book in South Africa to go into a ninth print run and yet, Collective Amnesia has managed to do just that. The collection of poems, which compellingly explores religion, womanhood, Blackness, queerness, traditionalism, trauma and everything in between, has also been translated into Danish, German and Spanish. The winner of the 2018 Luschei Prize for African Poetry, Collective Amnesia has also been adopted as reading material for students at various institutions of higher learning across the country. It is a truly phenomenal and unrivalled first work by Putuma.

"The Ones with Purpose" by Nozizwe Cynthia Jele, published 2018

Jele's book centers themes of loss, grief and trauma. After the main character's (Fikile) sister dies from breast cancer, it is now up to her to ensure that certain rituals are performed before the burial. The Ones with Purpose highlights a lot of what Black people refer to as "drama" following the death of a loved ones. It highlights how often Black people are often not given the opportunity to simply grieve their loss but must instead attend to family politics and fights over property and rights. It also speaks to how, despite the rift that loss inevitably brings to Black families especially, togetherness also results because of it.

"These Bones Will Rise Again" by Panashe Chigumadzi, published 2018

Drawing from Audre Lord's concept of a biomythography in Zami: A New Spelling of My Name as well as Alice Walker's essay In Search of Our Mothers' Gardens, Chigumadzi's These Bones Will Rise Again explores the history of Zimbabwe's spirit medium and liberation fighter Mbuya Nehanda during the Chimurenga, Zimbabwe pre- and post-colonization and the Mugabe-regime. The book also pays homage to her late grandmother. Chigumadzi's commitment to retelling lost narratives in Zimbabwe's complex history is a radical act in itself in a world that seeks to tell the country's stories through a lens that centers any and everyone else except Zimbabweans.

"Reclaiming the Soil: A Black Girl's Struggle to Find Her African Self" by Rosie Motene, published 2018

Just as Matlwa's debut novel Coconut explores the cultural confusion and identity crises that result in Black children raised in a White world, so too does Motene's book. In contrast, however, Reclaiming the Soil: A Black Girl's Struggle to Find Her African Self is instead a non-fictional and biographical account set during Apartheid South Africa. As a young Black girl, Motene is taken in by the Jewish family her mother works for. And while she is exposed to more opportunities than she would have had she remained with her Black parents, hers is a story of tremendous sacrifice and learning to rediscover herself in a world not meant for her.

"Period Pain" by Kopano Matlwa, published 2017

Matlwa's third novel Period Pain honestly pulls apart the late Nelson Mandela's idea of a rainbow nation and non-racialism. Through the central character Masechaba, the reader is shown the reality of a country still stuck in the clenches of racism and inequality. Xenophobia, crime and the literal death sentence that is the public health system are all issues Matlwa explores in the novel. It's both a visceral account of the country from the vantage point of a Black person without the privileges and comforts of a White person as well as a heartfelt story about how even the most broken continue to survive. It's the story of almost every Black person in South Africa and that that story is even told to begin with, and told honestly, is important.

"Always Another Country" by Sisonke Msimang, published 2017

Msimang's memoir details her political awakening while abroad as well as her return to a South Africa on the cusp of democracy. Hers is not an ordinary account of Apartheid South Africa and its aftermath but rather a window into yet another side—the lives of South Africans living in exile and more so, what happens when they eventually return home. Admittedly, it's an honest account of class and privilege. Msimang describes the tight-knit sense of community built between families who were in exile and acknowledges that many of them came back to South Africa with an education—something of which South Africans living in the country were systematically deprived. It is an important addition to the multitude of stories of Apartheid-era South Africa, the transition into democracy and the birth of the so-called "born-free" generation.

"Khwezi: The Story of Fezekile Ntsukela Kuzwayo" by Redi Tlhabi, published 2017

Redi Tlhabi's second non-fiction work tells the story of Fezekile Ntsukela Kuzwayo, the woman who accused then President Jacob Zuma of rape back in 2005. "Khwezi" as she became known throughout the very public trial, was a symbol of the many women subjected to the abuse of men in positions of power. Similarly, she was treated as women like her are so often treated—ostracized by the community and forced to leave and start anew elsewhere. Tlhabi's account of Khwezi's life was a courageous one and one that tries to obtain justice despite the court's decisions. Although Khwezi died in October 2016, her memory continues to live on in the hearts of many South African women who refuse to be silenced by the dominant patriarchal structure. For that alone, this work is tremendously important.

"Intruders" by Mohale Mashigo, published 2018

When one thinks of African literature, stories of migration, colonization, loss, trauma, culture and traditions usually come to the fore. As a result, Afrofuturism or speculative fiction is a genre that is often sidelined and the stories therein left untold. Intruders is a collection of short stories by Mohale Mashigo that unearths these stories in a refreshing manner. From mermaids in Soweto, werewolves falling in love with vampires and a woman killing a man with her high-heeled shoes, Mashigo centers the proverbial "nobody" and pushes against the narrative that Africans can only tell certain kinds of stories but not others.

"Miss Behave" by Malebo Sephodi, published 2017

There is a reason why Sephodi's Miss Behave has resonated so strongly among women across the board. Drawing inspiration from Laurel Thatcher Ulrich's adage that "well-behaved women seldom make history", Miss Behave documents Sephodi's journey to smashing the stereotypes peddled by society in its relentless prescriptions of what women can and cannot be; can and cannot do. Naturally, she's labeled a "misbehaving" woman and hence the title of the book. Sephodi also explores themes of identity and gender issues while allowing women the opportunity to take charge of their own identities despite societal expectations. A book that wants women to discover their bad-ass selves and exercise agency over their lives? A must read.

"Rape: A South African Nightmare" by Professor Pumla Gqola, published 2015

This book is both brilliant in the way it unpacks the complex relationship that South Africa has with rape and distressing in the way this relationship is seen to unfold in reality. Rape is a scourge that South Africa has not been able to escape for years and the crisis only seems to be worsening. Written almost four years ago, Prof Gqola's profound analysis of rape and rape culture as well as autonomy, entitlement and consent is still as relevant today as it was back then—both a literary feat and a tragedy. There can be no single answer to why South Africa is and remains the rape capital of the world, but Rape: A South African Nightmare is by far one of the best attempts thus far.

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The 12 Songs You Need to Hear This Week

Featuring Sarkodie, Cassper Nyovest, Elaine, Darkovibes, Stogie T, Phyno, C Natty, and more.

Every week, we highlight the cream of the crop in music through our best music of the week column.

Here's our round up of the best tracks and music videos that came across our desks, which you can also check out in our Songs You Need to Hear This Week playlists on Spotify and Apple Music.

Follow our SONGS YOU NEED TO HEAR THIS WEEK playlist on Spotify here and Apple Music here.

Check out all of OkayAfrica's playlists on Spotify and Apple Music.

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Photo courtesy of CNOA

These Colombian Civil Rights Activists Are Fighting to Make Sure Afro-Colombians are Counted in the Census

When 30 percent of Colombia's Black citizens disappeared from the data overnight, a group of Afro-Colombian activists demanded an explanation.

It was the end of 2019 when various Black organizations protested in front of the census bureau—The National Institute of Statistics and Informatics (DANE)—in Bogotá, Colombia to show their dissatisfaction about what they called a "statistical genocide" of the black population. The census data, published that year, showed 2.9 million people, only 6 percent of the total population of the country, was counted as "Afro-Colombian," "Raizal," and "Palenquero"—the various terms identifying black Colombians.

For many years, Afro-Colombians have been considered the second largest ethno-racial group in the country. Regionally, Colombia has long been considered the country with the second highest number of Afro-descendants after Brazil, according to a civil society report.

Why did the population of Afro-Colombians drop so drastically?

Afro-Colombian, Black, Raizal, and Palenquero civil-rights activists protesting erasure of Afro-descendants in front of the census bureau.

Last year, a crowd of activists gathered in Bogota to protest what they saw as erasure of Black communities in the Colombian census.

Photo courtesy of CNOA

In the latest national census report from 2018/2019, there appeared to be a 30.8 percent reduction of the overall group of people that identified as Black, Afro-Colombian, Raizal, and Palenquero, as compared to the 2005. After this controversial report, an Afro-Colombian civil rights organization known as the National Conference of Afro Colombian Organizations (CNOA), officially urged DANE to explain the big undercounting of the black population.

This wasn't a small fight. Representatives who hold the special seats of Afro-Colombians in Colombia's congress asked the census bureau to attend a political control debate at the House of Representatives in November 2019 to deliver an accountability report. "The main goal of doing a political debate was to demand DANE to give us a strong reason about the mistaken data in the last census in regard to the Afro population," said Ariel Palacios, an activist and a member of CNOA.

At the debate, the state released an updated census data report saying that, almost 10 percent of the Colombian population—4.6 million people out of 50.3 million—considers themselves Afro-Colombians or other ethnicities (like Raizal, and Palenquero). But despite DANE trying to confirm the accuracy and reliability on the latest census report it was clear that, for a variety of reasons, Black people were missed by the census. The state argued that their main obstacles with data collection were related to the difficulties of the self-recognition question, as well as security reasons that didn't allow them to access certain regions. They also admitted to a lack of training, logistics and an overall lack of success in the way the data collectors conducted the census.

How could they have counted Black populations better?

Afro-Colombian, Black, Raizal, and Palenquero civil-rights activists playing drums in front of the census bureau.

Drummers performing during a protest against the Colombian census bureau's erasure of Afro-Colombians from the 2018 census.

Photo courtesy of CNOA

These arguments were not reasonable for the civil rights activists, partially because the state failed to properly partner with Afro-organizations like CNOA to conduct or facilitate extensive informational campaigns about the self-identification questions.

"CNOA has worked on self-recognition and visibility campaigns among the Afro community and this census ignored our work," says priest Emigdio Cuesta-Pino, the executive secretary of CNOA. Palacios also thinks that the majority of Afro-Colombians are aware of their identity "we self-identify because we know there is a public political debate and we know that there is a lack of investment on public policies."

That's why it is not enough to leave the statistical data to the official census bureau to ensure that Afro-Colombian communities are fully counted in the country. And the civil rights activists knows that. They made a big splash in the national media and achieved visibility in the international community.

Thanks to The Washington Office on Latin America (WOLA), a human rights organization, Palacios traveled to D.C to meet with Race and Equality institution and a Democratic Congressman. "We called for a meeting with representative Hank Johnson to talk about the implementation of Colombia's peace accords from an Afro-Colombian perspective but also to address the gross undercounts of its black population," says Palacios.

For the activists at CNOA, the statistical visibility of the Black population is one of their battles. They have fought for Afro population recognition for almost two decades. "Since the very beginning CNOA has worked on the census issue as one of our main commitments within the statistical visibility of the Afro-Colombian people," says priest Cuesta-Pina. Behind this civil organization are 270 local associations, who work for their rights and collective interests.

The activists want to raise awareness on identity. Because according to Palacios, "In Colombia, there is missing an identity debate—we don't know what we are. They [the census bureau] ask if we are black, or if we are Afro-Colombians. But what are the others being asked? If they are white, mestizo or indigenous?" Palacios believes that for "CNOA this debate is pending, and also it is relevant to know which is the character of this nation."

Afro-Colombian Populations and the Coronavirus

Afro-Colombian, Black, Raizal, and Palenquero civil-rights activists use mock coffins and statistics to protest erasure of Afro-descendants

Colombian civil-rights activist insist that undercounting Afro-descendants can have a real impact on the health of Afro-Colombian communities, especially during the COVID-19 coronavirus crisis.

Photo courtesy of CNOA

Even though the state recently "agreed with to give us a detailed census report" and make a different projection with the micro data, says Palacios, now with the Covid-19 emergency, CNOA and the government has suspended all meetings with them, including cancelling a second congressional debate and the expert round table meeting to analyze the data.

Unfortunately, it is exactly in situations like the Covid-19 emergency where data analysis and an accurate census report would have been useful. According to the professor and PhD in Sociology Edgar Benítez from Center for Afro Diasporic Studies—CEAF, "Now it is required to provide a reliable and timely information on how the contagion pattern will spread in those predominantly Afro regions in the country and what is the institutional capacity in those places to face it," says Benítez.

He adds that this information is "critical at the moment because the institutional capacity is not up to provide it at the current situation". That's why the Center for Afro Diasporic Studies plans to work with DANE information from the last census. According to Benítez, "We are thinking of making comparisons at the municipal level with the information reported in the 2018 Quality of Life Survey, in order to have a robust and extensive database as possible on the demographic, economic and social conditions of the black, afro, Raizal and Palenquera population in Colombia."









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