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Tante Kata / Angelique, Dakar, c. 1961. Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

These Newly Discovered Photos From 1950s Senegal Capture the Good Times During an Era of Political Change

Unearthed photos by Roger DaSilva, which will be on display at the Also Known As Africa art and design fair in Paris this November, include rare images of presidents, jazz icons and everyday people in pre-independence Senegal.

A newly discovered collection from Senegalese photographer Roger DaSilva offers a rarefied glimpse into life in 1950s Senegal. DaSilva was born in Benin and took up photography after joining the French army in 1942. He returned to Dakar, considered his "adopted home" in 1947, where he began to capture the city's bustling social scenes. Instead of working within the confines of a studio in the tradition of fellow photographers Malick Sidibé and Samuel Fosso, DaSilva frequented "the city's night clubs and upscale weddings, he captured the vibrancy of youth culture in the post-war period and the African independence movements that were beginning to emerge."

The recently unearthed archive of over 100 of his images, which were restored by the Josef and Anni Albers Foundation will debut at AKAA (Also Known As Africa) art and design fair in Paris for the first time next month. It will mark the first time that the images are shown outside of Senegal.


The images tell a multifaceted story of pre-independence Senegal. A common thread in DaSilva's photographs is the obvious glamor of his subjects, whether that be a family posed elegantly in front of their home while dressed in traditional attire, a religious gathering of men in all white, or a multiracial group of young men and women socializing in a night club. Da Silva was also an actor and tap dancer, who had access to "high society" and exclusive circles. His collection includes self-portraits of him with jazz icons the likes of Louis Armstrong and Velma Middleton as well as photographs of Senegal's first President Léopold Senghor. They capture elegance and camaraderie, as well as the "good times" in an era in which they are often overlooked.

"Roger DaSilva's work brings to life a reality little documented until now," reads a statement from the Albers foundation. "In the pivotal historical context surrounding Senegal's accession to independence, it provides us with a fresh perspective on Senegalese cultural and social history and makes a significant contribution to West African photography."

The collection will be on display at the AKAA in Paris from November 9-11. The six images on display will be on sale, with all proceeds going to Senegalese non-profit organization Le Korsa.

Check out a preview of the exhibition below.

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Madame Gomez and children, Dakar, c. 1958.

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Roger daSilva, self-portrait with Velma Middleton, Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, President Leopold Senghor, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

Dakar, c. 1952

Roger daSilva (C) 2018 The Josef and Anni Albers Foundation Courtesy Xaritufoto and Le Korsa

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Photo by Luxolo Witvoet.

'Journey With Me' Is a Window Into the Ups and Downs of Traveling by Train In South Africa

In his new photo series, South African artist Luxolo Witvoet, speaks to everyday people in Cape Town about their experiences commuting via the city's fragile, yet vital train system.

Luxolo Witvoet is a 25-year-old multidisciplinary artist and photographer from Cape Town. In his latest series "Journey With Me," Witvoet set out to document the stories of South Africans commuting to and from work, school, and job hunting. While simply riding on the train might seem like a mundane, everyday act, the train holds special significance in South African history. "During apartheid, the train was the choice of transport that our forefathers & mothers used to travel long distances from one province or state to the next in search of work and a better tomorrow for their offspring—us," says Witvoet. His connection to the train is a personal one, directly linked to his family lineage. "My nineteen year old late grandmother travelled from her birthplace, Aliwal North to relocate to Cape Town using the train. While in Cape Town, she would eventually find work as a maid and she would meet her husband on the train en route to work," he adds.

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(Photo by Rodin Eckenroth/Getty Images)

Chinonye Chukwu Will Direct the First Two Episodes of HBO Max's Upcoming 'Americanah' Series

Here's the latest news surrounding the highly-anticipated limited series, starring Lupita Nyong'o, Uzo Aduba and more.

Nigerian-American director Chinonye Chukwu is set to helm the first two episodes of the upcoming limited series Americanah, starring Lupita Nyong'o.

Chukwu is the award-winning filmmaker, behind the critically-acclaimed film Clemency, which won the 2019 Sundance Grand Jury Prize, making her the first Black woman to win the award.

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Photo courtesy of CSA Global.

In Conversation with Congolese NBA Player Emmanuel Mudiay: 'I want more African players in the NBA.'

The Utah Jazz player talks about being African in the NBA, supporting basketball in the DRC and how 'everybody knows about Burna Boy'.

Inspired by his basketball-playing older brothers, by second grade, Emmanuel Mudiay already knew that he wanted to play in the American National Basketball Association. Then in 2001 his family, fleeing the war in Democratic Republic of Congo, sought asylum in the United States.

In America, Mudiay saw basketball as a way for him to improve his situation. After impressive high school and college careers, he moved to China to play pro ball. Picked 7th overall in the 2015 NBA draft, the now 23-year-old guard has made a name for himself this season coming off the bench for the Utah Jazz.

Mudiay attests to the sport having changed not only his life but that of his siblings. Basketball gave them all a chance at a good education and the opportunity to dream without conditions. Now he wants to see other talented African players make it too.

We caught up with him to talk about his experience as an African player in the NBA, his hopes for basketball on the African continent and who he and his teammates jam out to in their locker rooms.

This interview has been edited for length and clarity.

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University lecturer and activist Doctor Stella Nyanzi (L) reacts in court as she attends a trial to face charges for cyber-harassment and offensives communication, in Kampala, on April 10, 2017. (Photo by GAEL GRILHOT/AFP via Getty Images)

Jailed Ugandan Activist, Stella Nyanzi, Wins PEN Prize for Freedom of Expression

The outspoken activist, who is currently serving a prison sentence for a poem she wrote about the president's mother's vagina, won for her resistance "in front of a regime that is trying to suppress her."

Stella Nyanzi, the Ugandan academic, activist, and vocal critic of President Yoweri Museveni has been awarded the 2020 Oxfam Novib/PEN International award for freedom of expression, given to writers who "continue to work for freedom of expression in the face of persecution."

Nyanzi is currently serving a 15 month sentence for "cyber harassment" after she published a poem in which she wrote that she wished "the acidic pus flooding Esiteri's (the president's mother) vaginal canal had burn up your unborn fetus. Burn you up as badly as you have corroded all morality and professionalism out of our public institutions in Uganda."

According to the director of PEN International, Carles Torner, her unfiltered outspokenness around the issues facing her country is what earned her the award. "For her, writing is a permanent form of resistance in front of a regime that is trying to suppress her," said Torner at the award ceremony.

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