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Left to right: Images courtesy of Kwame Onwuachi, YouTube, and SUMY SADURNI/AFP via Getty Images

Bobi Wine, Wanuri Kahiu, Kwame Onwuachi & More Make Inaugural TIME 100 Next List

The list Includes a slew of young talent from across the diaspora.

TIME has released its new list, the 100 Next recognizing "100 rising stars who are shaping the future of business, entertainment, sports, politics, science, health and more. Although this focus lends itself to a younger group, we intentionally had no age cap—a recognition that ascents can begin at any age," as it's described in TIME.

The list includes several of our favorite move-makers and creatives from the African continent across several indus

Video: Wanuri Kahiu On How 'Rafiki' Took the World by Storm Since Premiering at Cannes

The Kenyan director of the groundbreaking film Rafiki Wanuri Kahiu is one of this year's many nominees. "I'm on the first #TIME100Next list! So proud! So happy! So pleased to represent," wrote the filmmaker on Twitter. Ugandan musician turned presidential candidate Bobi Wine is also included on the list.


Other standouts include Njideka Akunyili Crosby, the Nigerian artists whose work has sold for millions at auctions across the world as well as Nigerian-Jamaican chef and restauranteur Kwame Onwuachi.

READ: Chef Kwame Onwuachi Serves Up His West African & Caribbean History On A Plate

Somali-British MP Majid Majid, who is breaking ground in British politics. Supermodel Aduct Akech, scientist Joy Buolamwini, and community organizer and founder of Stand to End Rape (STER) Oluwaseun Ayodeji Osowobi.

You can see the full 100 next list, also featuring the likes of Megan the Stallion, writer Jason Reynolds and more here.

Music

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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