Audio

Santi's Highly-Anticipated Album 'Mandy & The Jungle' Is Here

The alté maestro has released his vibe-filled project featuring DRAM, Tay Iwar, GoldLink, Amaarae and more.

As we all know by now, Nigeria's own Santi has been one to watch.

The alté maestro dropped his highly-anticipated album, Mandy & The Jungle Friday—a vibe-filled project featuring the likes of DRAM, GoldLink (who recently collaborated with Maleek Berry), Tay Iwar, Amaarae, Nonso Amadi and more.

"Over the past two years, I learnt more about expressing myself and translating that feeling into sound and visuals," Santi explains to Clash Magazine.

"Music has always been about the feeling for me, what it does to you, what it makes you remember and most importantly, where it takes you to. I decided to create a universe, combining everything that has ever influenced or inspired me, the story of Mandy, a girl who has no idea the power that lies inside her."

Mandy & The Jungle warrants repeated listening, as Santi tells multifaceted tales of friendship, complex love to subsequent heartbreak.

Zone out and listen to it below.


Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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