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Watch the Music Video for Stonebwoy and 'Ololo' Featuring Teni

A fire collaboration!

Ghanaian rapper Stonebwoy enlists Nigerian artist Teni the Entertainer for his latest single 'Ololo,' his latest since dropping "Tuff Seed" earlier this summer.

The duo shine as they exchange loving lyrics atop sultry, upbeat production by Prinx Pappi. Stonebwoy opens the track with a fiery verse about giving his all to a love interest, while Teni brings the her usual high-energy to the second verse as she delivers passionate lyrics directed at a lover. Their musical chemistry, making for a catchy jam-worthy track.


Teni has dropped a couple of singles of her own this year, including "Uyo Meyo," and the standout single "Suga Mummy." She's also featured on songs with Skiibii, Falz and DJ Neptune. We'd say that "Ololo"is one of her most noteworthy so far this year, as she sounds very much in here element on the track. She also earned a BET award nomination earlier this year for Best New International Act.

Back in April, Stonebwoy released the memorable track "Shuga" featuring Jamaican dancehall legend Beenie Man.

Update 9/17: Stonebwoy and Teni have shared the high-energy music video for "Ololo," directed by Prince Dovlo. Watch it below.

Stonebwoy - Ololo (Official Video) ft. Teni youtu.be

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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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