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Barthélémy Toguo 'Road to Exile.' Photo courtesy of Parrish Art Museum.

Barthélémy Toguo's Exhibition Explores the Push & Pull of the Global Migration Crisis

The Cameroonian artist specifically dives into the desire of young Africans wanting to seek a better life in 'The Beauty of Our Voice' at the Parrish Art Museum.

In the last year, stories about the global migration crisis have been at the forefront of our news feeds and especially in the work of Cameroonian artist, Barthélémy Toguo.

In his exhibition, showing at the Parrish Art Museum until October 14, Toguo addresses the migrant and refugee crisis; specifically, the desire of young Africans to escape in hopes of a better life. The centerpiece of Toguo's exhibition, Road to Exile, is a life sized boat filled to the brim with bags representing the material things people who migrate bring along with them on their journey. Toguo notes that the bed of glass bottles, which surround the boat, simultaneously show the danger and the fragility of the migrants' journey.

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Photo courtesy of Alice Gbelia.

Meet the Ivorian Woman Behind the Online Platform Bringing Affordable Black Art to The World

Ayoka-Deco is Alice Gbelia's effort to make supporting young black artists easier, as well as give them a platform.

Ayoka-Deco is what happens when art, visibility and affordability come together.

For Alice Gbelia, the Ivorian-French entrepreneur behind the project, the idea to build an online platform for young, black artists came after she was in need of paintings for her new home. "I went to Instagram and found all these young, black artists," says Gbelia. "But it wasn't a smooth process to buy from them."

According to Gbelia, the problem was twofold. Not only was it difficult for interested parties to learn about new artists, but it was just as difficult for young artists, whose primary selling platforms were the internet and social media in particular to reach the kind of audience they wanted to. Another challenge for the artists, "was making that sure you were not selling yourself short," Rahana Dariah, a British-West Indian artist featured on the site, adds.

Gbelia then decided to step in to build a website focused solely promoting the art she enjoyed seeing on her walls, with the hope that others would too.

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Cover art courtesy of Chike Frankie Edozien.

Nigeria's First Gay Memoir Is an Essential Primer on the Real Experiences of LGBT Africans

In conversation with journalist Chike Frankie Edozien about his new book, "Lives of Great Men."

Lives of Great Men, a memoir by Nigerian-born journalist Chike Frankie Edozien, chronicles his life as a gay man amidst the backdrop of Nigeria's changing political regimes in the 90s, immigrating to the U.S. and traveling around the world as a journalist. But Edozien's life isn't the only one at the center of this story. In 17 chapters, Edozien illuminates the lives of many around him, countering the narrative of those who diminish the existence of an LGBT community in African countries.

The depiction of LGBT life in African writing is not a new phenomenon. Queer characters have appeared on the pages of African literature from as far back as the early 70s, but these characters were usually fictional and not always depicted as "full human beings, with real lives and loves and dreams," notes Otosirieze Obi-Young, deputy editor of African literary blog, Brittle Paper.

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From Mad Horse City. Photo courtesy of Wale Lawal.

This Is What Lagos Could Look Like in 2115

We speak with Nigerian artist Wale Lawal on his project with Olalekan Jeyifous, "Mad Horse City," currently showing at the "Africa Is Not a Refugee Camp" exhibition in Munich.

Africa Is Not a Refugee Camp, the exhibition showing at the Architekturmuseum der TU München, warns viewers about what they will not see.

Curator Mpho Matsipa notes that "there are expectations that are set when people go to see exhibitions about Africa." But in this case, instead of the widely trumpeted narrative of a continent in dire need of developmental aid, this exhibition actively reimagines African cities and presents ideas that touch on themes of migration, architecture, and Afrofuturism. According to its mission statement, the exhibition seeks to explore how architecture responds to the complexity of African mobility beyond the figure of the refugee.

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