In his most open interview ever, the Nigerian artist demystifies himself, opening up about his reclusive personality and why emotions are the biggest drivers of his art.
Tay Iwar won't touch anything that lacks a strong emotional pull. It's a driver for all the music that he makes.
He has been a satiated lover ("Satisfied"), a vulnerable sage ("Weather Song"), an existentialist thinker ("Utero"), and a straight-up loser ("Sugardaddy") across his debut album's songs. "I fell in love with you and I almost died," he sings on "Monica," the lead single off that album, Gemini.
When I ask Tay about Gemini on a hot, sweaty afternoon at his Bantu Studio in Abuja, Nigeria, he seems proud of it. Staring into the distance, he says he considers the RnB fusion record his first album which doesn't have him selling emotions to people. He is simply expressing himself now, rather than the more "packaged" offerings on his previous projects Passport (2014) and Renascentia (2016). It's huge artistic growth for a 21-year-old, one in which he is basking.
Tay, born Austin Iornongu Iwar, hated it when his father forced him to take classic piano lessons at an early age. But by the time he was 13, and midway through high school, that sentiment had become the opposite; he had fallen deeply in love with the art, making music on his computer, and teaming up with his brothers—Sute and Terna Iwar—to co-found the Bantu Collective. His first love was the guitar, but something about making music on the colourful "video game" early version of the FL Studio software got him hooked. Mastering instruments, and becoming a sound engineer gave him a high-level of understanding of music creation. At 16, he released his debut project, Passport, which became an instant niche favorite, offering him a modicum of fame and demand that surprised the artist.