Music

Watch Beyoncé Pay Homage to Fela Kuti During Her Coachella Performance

The singer's band played Fela Kuti's "Zombie" during her unforgettable set last night.

Unless you've been living under a wi-fi-less rock for the past few days, you've heard all the hype around #BeyChella—Beyoncé's highly-anticipated return to the stage at this year's Coachella music festival in California.

The star took over the festival's main stage last night for a 2 hour-long set which saw her running through her entire discography, bringing to the stage special guests like Jay-Z, Solange and even fellow Destiny's Child bandmates Kelly Rowland and Michelle Williams.

As expected, Beyoncé's set was electrifying and filled with odes to various aspects of black music, history and culture. At one point, the singer payed homage to Fela Kuti as her band ran through a pulsating rendition of the afrobeat legend's 1976 classic "Zombie." Check out the clip below.


It's certainly not the first time Beyoncé has paid her respects to Fela, she's spoken of his inspiration on her music on several occasions, even recording a 20-track Fela Kuti-inspired album prior to the release of her album 4 back in 2011.

The singer is the first black woman ever to headline the festival and her performance was brimming with references to black history and icons, female empowerment, and even historically black universities. She opened her show by singing "Lift Every Voice and Sing," also known as the Black National Anthem, before being joined on stage by a group of majorettes and a full marching band.

Of course, the internet has been ablaze all morning with folks trying to figure out how to enroll at Beyoncé's #HBeyCU and candid reactions to how amazingly black and proud #BeyChella was.








Needless to say, #BeyChella was an experience. The singer will return to the Coachella stage again next weekend so prepare to have your edges snatched again before they even have a chance to grow back! You can stream all the Coachella action live here.

Photos by David Pattinson.

First Look: This New Collection from Art Comes First Is Peak Black Yeehaw Aesthetic

The design and brand consultant duo previews the SS20 collection displayed during their residency at The Mandrake Hotel in Paris.

Following their wavy Surf Afrika collection, Art Comes First (ACF) shares with us a preview of their SS20 collection that is all things Black Yeehaw Aesthetic.

Dubbed El Charro Negro, the collection features neutral colors and an array of textures—from leather, embroidery, fringed denim and ponchos, to vests, suede jackets and straight flyness.

Sam Lambert and Shaka Maidoh of ACF are known as the "Travelling Tailors" where their ventures around the world influence their designs. This time the nomads, who hail from the West Indies, Ghana and Angola respectively, have landed in Paris.

Earlier this month, ACF curated a week-long event-filled residency at The Mandrake Hotel in Paris that encapsulates their ethos of taking cultural influence from around the world and only staying still long enough to create. There, Lambert and Maidoh presented an installation, live musical performances and DJ sets, a film screening and a pop-up shop leading up to Fashion Week. The residency also showcased the duo's latest collaboration with London mainstay Fred Perry.

El Charro Negro will still be showcased in Paris at another location from June 18 to 23. Keep up with ACF on Instagram to stay tuned for details.

Check out our favorite images from the collection below.

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Nonso Amadi & Kwesi Arthur's 'Comfortable' Will Get You In Weekend Mode

Watch the trippy new music video for this link-up from the buzzing Nigerian and Ghanaian artists.

Nonso Amadi is one of the standout acts from a young wave of Nigerian musicians blending afro-fusion with RnB and much more. He's now dropping the brand new single "Comfortable," an addictive self-produced track that sees him linking up with bubbling Ghanaian act Kwesi Arthur, which we're premiering below today.

"Comfortable" is built on woozy synth keys and sparse beat work, all spearheaded by Nonso Amadi's vocals about wanting freedom in a relationship.

"The song is inspired by experiences with having a girl over and not wanting them to get too comfortable by staying too long with you," says Nonso Amadi. "I thought it'll be interesting to create a song around this 'cos it's not a perspective were used to hearing from guys very often."

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Screenshot via YouTube.

Maleek Berry Makes a Statement with His First Track of the Year, 'Flashy'

And the music video follows suit.

After months of anticipation, Maleek Berry finally dropped his first track of the year, "Flashy."

The Nigerian crooner-producer surely makes a statement on the track while flexing his rapping skills, as he chronicles how he leveled up to be flashy—and it's well-deserved. The video shows us a scene of a fly photo shoot that's underway, where Maleek is dripping in gold and fancy cars surrounded by stunning black women and his homies—Eugy, Tinie Tempah, Juls and more.

Watch the video, directed by Capone and Guise of Vissionaire Pictures, below.

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